Michaelis had seized upon Clifford as the central figure for a play; already he had sketched in the plot, and written the first act. For Michaelis was even better than Clifford at making a display of nothingness. It was the last bit of passion left in these men: the passion for making a display. Sexually they were passionless, even dead. And now it was not money that Michaelis was after. Clifford had never been primarily out for money, though he made it where he could, for money is the seal and stamp of success. And success was what they wanted. They wanted, both of them, to make a real display...a man’s own very display of himself that should capture for a time the vast populace.

It was strange...the prostitution to the bitch–goddess. To Connie, since she was really outside of it, and since she had grown numb to the thrill of it, it was again nothingness. Even the prostitution to the bitch–goddess was nothingness, though the men prostituted themselves innumerable times. Nothingness even that.

Michaelis wrote to Clifford about the play. Of course she knew about it long ago. And Clifford was again thrilled. He was going to be displayed again this time, somebody was going to display him, and to to advantage. He invited Michaelis down to Wragby with Act I.

Michaelis came: in summer, in a pale–coloured suit and white suede gloves, with mauve orchids for Connie, very lovely, and Act I was a great success. Even Connie was thrilled...thrilled to what bit of marrow she had left. And Michaelis, thrilled by his power to thrill, was really wonderful...and quite beautiful, in Connie’s eyes. She saw in him that ancient motionlessness of a race that can’t be disillusioned any more, an extreme, perhaps, of impurity that is pure. On the far side of his supreme prostitution to the bitch–goddess he seemed pure, pure as an African ivory mask that dreams impurity into purity, in its ivory curves and planes.

His moment of sheer thrill with the two Chatterleys, when he simply carried Connie and Clifford away, was one of the supreme moments of Michaelis’ life. He had succeeded: he had carried them away. Even Clifford was temporarily in love with him...if that is the way one can put it.

So next morning Mick was more uneasy than ever; restless, devoured, with his hands restless in his trousers pockets. Connie had not visited him in the night...and he had not known where to find her. Coquetry!...at his moment of triumph.

He went up to her sitting–room in the morning. She knew he would come. And his restlessness was evident. He asked her about his play...did she think it good? He had to hear it praised: that affected him with the last thin thrill of passion beyond any sexual orgasm. And she praised it rapturously. Yet all the while, at the bottom of her soul, she knew it was nothing.

‘Look here!’ he said suddenly at last. ‘Why don’t you and I make a clean thing of it? Why don’t we marry?’

‘But I am married,’ she said, amazed, and yet feeling nothing.

“I did not! I did not! Before God I swear that I did not!” cried our wretched prisoner.

“Tell us, then, how Cadogan West met his end before you laid him upon the roof of a railway carriage.”

“I will. I swear to you that I will. I did the rest. I confess it. It was just as you say. A Stock Exchange debt had to be paid. I needed the money badly. Oberstein offered me five thousand. It was to save myself from ruin. But as to murder, I am as innocent as you.”

“What happened, then?”

“He had his suspicions before, and he followed me as you describe. I never knew it until I was at the very door. It was thick fog, and one could not see three yards. I had given two taps and Oberstein had come to the door. The young man rushed up and demanded to know what we were about to do with the papers. Oberstein had a short life-preserver. He always carried it with him. As West forced his way after us into the house Oberstein struck him on the head. The blow was a fatal one. He was dead within five minutes. There he lay in the hall, and we were at our wit’s end what to do. Then Oberstein had this idea about the trains which halted under his back window. But first he examined the papers which I had brought. He said that three of them were essential, and that he must keep them. ‘You cannot keep them,’ said I. ‘There will be a dreadful row at Woolwich if they are not returned.’ ‘I must keep them,’ said he, ‘for they are so technical that it is impossible in the time to make copies.’ ‘Then they must all go back together tonight,’ said I. He thought for a little, and then he cried out that he had it. ‘Three I will keep,’ said he. ‘The others we will stuff into the pocket of this young man. When he is found the whole business will assuredly be put to his account. I could see no other way out of it, so we did as he suggested. We waited half an hour at the window before a train stopped. It was so thick that nothing could be seen, and we had no difficulty in lowering West’s body on to the train. That was the end of the matter so far as I was concerned.”

“And your brother?”

“He said nothing, but he had caught me once with his keys, and I think that he suspected. I read in his eyes that he suspected. As you know, he never held up his head again.”

There was silence in the room. It was broken by Mycroft Holmes.

“Can you not make reparation? It would ease your conscience, and possibly your punishment.”

“What reparation can I make?”

“Where is Oberstein with the papers?”

“I do not know.”

“Did he give you no address?”

“He said that letters to the Hotel du Louvre, Paris, would eventually reach him.”

“Then reparation is still within your power,” said Sherlock Holmes.

“I will do anything I can. I owe this fellow no particular good-will. He has been my ruin and my downfall.”